Oh, here, murder your kids, and we would have all just been singing along." But they’re so powerful at this time that you could put any horrible message in your song, but it’s great. But again the harmonies are killer, the refrains are great, the melody’s great, so everything is enjoyable. Of all the people in there, you’re the most prutnate.* There’s the dead dude, the woman who loved the dead dude, and you have nothing to do with this. I think they were trying to write a county song. krista: "It’s hard to conceive of a more selfish song, or someone who is less considerate of a protagonist in mourning. There's a ton I like about this song - the harmonies, the 3/4 waltz time, the darker mood, whatever the hell that is that George is doing on guitar - but we're in the realm now of good songs that I just don't enjoy as much as those above them. It's one of the best examples of true co-writing of Paul and John, having been written by them together in one day in a room at John's house in Kenwood. This song about a love triangle among three people, only two of them living, was a staple of the Beatles's live performances, all the way through the last concert (setting aside the rooftop thingie) at Candlestick Park in 1966. Song has been ear worm for me that past few days. Ranked Highest by: Krista (TJ/Michael) (22)
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